Sunday, November 1, 2015
Maddie's - extra assignment
Social Media, Race, and Disney Princesses
http://www.poetryfoundation.org/features/audioitem/5428
I found this website which contains a variety of media from weekly podcasts to a library of poetry. I really liked this podcast (from the weekly podcast Poetry Off the Shelf) in particular because it discusses current issues we live through on a daily basis and see a lot through social media which incorporates poetry into a discussion. The two hosts of this episode are young poets from diverse backgrounds and have a lot to say on racism and show how social media can expose a much wider audience to poetry who would probably have never read it in a book. Here is a poem, which relates to current situations, like the Syrian refugee crisis:
Your Village by Elana Bell
I found this website which contains a variety of media from weekly podcasts to a library of poetry. I really liked this podcast (from the weekly podcast Poetry Off the Shelf) in particular because it discusses current issues we live through on a daily basis and see a lot through social media which incorporates poetry into a discussion. The two hosts of this episode are young poets from diverse backgrounds and have a lot to say on racism and show how social media can expose a much wider audience to poetry who would probably have never read it in a book. Here is a poem, which relates to current situations, like the Syrian refugee crisis:
Your Village by Elana Bell
Once in a village that is burning
because a village is always somewhere burning
because a village is always somewhere burning
And if you do not look because it is not your village
it is still your village
it is still your village
In that village is a hollow child
You drown when he looks at you with his black, black eyes
You drown when he looks at you with his black, black eyes
And if you do not cry because he is not your child
he is still your child
he is still your child
All the animals that could run away have run away
The trapped ones make an orchestra of their hunger
The trapped ones make an orchestra of their hunger
The houses are ruin Nothing grows in the garden
The grandfather’s grave is there A small stone
The grandfather’s grave is there A small stone
under the shade of a charred oak Who will brush off the dead
leaves Who will call his name for morning prayer
leaves Who will call his name for morning prayer
Where will they — the ones who slept in this house and ate from this dirt — ?
Pablo Neruda poem in spanish
I decided to share this poem because I found it interesting to see a poem in a different language. Although the language is different the style of writing is still the same. The poet uses descriptive language to show the reader that he's lost his love.
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PUEDO escribir los versos más tristes esta noche.
Escribir, por ejemplo: "La noche está estrellada,
y tiritan, azules, los astros, a lo lejos".
y tiritan, azules, los astros, a lo lejos".
El viento de la noche gira en el cielo y canta.
Puedo escribir los versos más tristes esta noche.
Yo la quise, y a veces ella también me quiso.
Yo la quise, y a veces ella también me quiso.
En las noches como ésta la tuve entre mis brazos.
La besé tantas veces bajo el cielo infinito.
La besé tantas veces bajo el cielo infinito.
Ella me quiso, a veces yo también la quería.
Cómo no haber amado sus grandes ojos fijos.
Cómo no haber amado sus grandes ojos fijos.
Puedo escribir los versos más tristes esta noche.
Pensar que no la tengo. Sentir que la he perdido.
Pensar que no la tengo. Sentir que la he perdido.
Oir la noche inmensa, más inmensa sin ella.
Y el verso cae al alma como al pasto el rocío.
Y el verso cae al alma como al pasto el rocío.
Qué importa que mi amor no pudiera guardarla.
La noche está estrellada y ella no está conmigo.
La noche está estrellada y ella no está conmigo.
Eso es todo. A lo lejos alguien canta. A lo lejos.
Mi alma no se contenta con haberla perdido.
Mi alma no se contenta con haberla perdido.
Como para acercarla mi mirada la busca.
Mi corazón la busca, y ella no está conmigo.
Mi corazón la busca, y ella no está conmigo.
La misma noche que hace blanquear los mismos
árboles.
Nosotros, los de entonces, ya no somos los mismos.
árboles.
Nosotros, los de entonces, ya no somos los mismos.
Ya no la quiero, es cierto, pero cuánto la quise.
Mi voz buscaba el viento para tocar su oído.
Mi voz buscaba el viento para tocar su oído.
De otro. Será de otro. Como antes de mis besos.
Su voz, su cuerpo claro. Sus ojos infinitos.
Su voz, su cuerpo claro. Sus ojos infinitos.
Ya no la quiero, es cierto, pero tal vez la quiero.
Es tan corto el amor, y es tan largo el olvido.
Es tan corto el amor, y es tan largo el olvido.
Porque en noches como ésta la tuve entre mis
brazos,
mi alma no se contenta con haberla perdido.
brazos,
mi alma no se contenta con haberla perdido.
Aunque éste sea el último dolor que ella me causa,
y éstos sean los últimos versos que yo le escribo.
y éstos sean los últimos versos que yo le escribo.
Darius Simpson & Scout Bostley - "Lost Voices" (CUPSI 2015)
I decided to pick this video because the speakers have a unique way of presenting the poem. Darius Simpson & Scout Bostley, switch microphones in the middle of the poem, I didn't understand way but I only understood as the poem progressed. Instead of telling stories in their life, they tell each others experiences. In my opinion, this results in a powerful poem about a white girls perspective and a black man's perspective.
https://www.youtube.com/watch?v=lpPASWlnZIA
https://www.youtube.com/watch?v=lpPASWlnZIA
Those Winter Sundays by Robert Hayden
Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him. I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’s austere and lonely offices?
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The reason I picked to post this poem is because I love the rich imagery that Hayden incorporated in this poem. Every word was chosen deliberately and has some deeper connotation. For example, 'blueblack cold' can remind us of bruises, rather than just a color.
Saturday, October 31, 2015
Friday, October 30, 2015
If You Forget Me
If You Forget Me
Pablo Neruda
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
This is one of my favorite poems from my poetry project! I hope you all like it!
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